Breakfast at Tiffany’s Book Vs Movie Review
Breakfast at Tiffany’s book vs movie review is here to make a highlight of the well-known story. It is a timeless masterpiece. Many people are unaware of this wonderful story, even though some have seen the movie and others have read the book.
Breakfast at Tiffany’s is a romantic, delectable, and engrossing film. Audrey Hepburn gives a delicious portrayal of Holly Golightly, the film’s central character. However, the movie is a very distinct creation from the original.
Holly, a child bride from Tulip, Texas, fled to New York and made a name for herself as a Manhattan socialite who throws extravagant parties and seduces wealthy men. Eventually, she falls in love with her neighbor, a struggling writer.
The Breakfast at Tiffany’s Book Vs Movie
Breakfast at Tiffany is a lovely book and a great movie to watch. Let’s take a look at the various similarities they have for both of them.
The Opening Shot
The first scene of the movie is legendary in the film industry. Five in the morning on a deserted, gloomy Fifth Avenue. A yellow taxi arrives at No. 527, and a woman steps out.
She is the epitome of sophistication and elegance; dressed in a low-cut black satin dress with a pearl necklace secured with an elaborate clasp, and sparkling earrings, it looks like she is headed home from a fancy event.
Her sunglasses are oversized tortoiseshells. Her hair has some intriguing color streaks and is styled in an intricate updo.
Holly Getting Ready For The Prison Visit
It’s Thursday morning, Holly’s usual day to deliver intelligence to a mob boss incarcerated.
She changes out of her cute pajamas and dresses like the epitome of sophistication for the daytime, complete with a low-top alligator shoe and a wide-brimmed hat.
Everything is here: the carefree, eccentric glitz, the simplicity of reinventing, and the dubious but lucrative connections.
Inside Tiffany’s
Holly looks amazing in the attire she chose for her visit to Tiffany’s with her writer beau. An orange wool coat with a funnel neck, double breasts, and a tie at the back, paired with kitten heels and a traditional tote bag.
She appears to be worth a million dollars, but they only have ten dollars to spend, as they explain to Tiffany’s sales associate.
The sales clerk is a true gem; she handles the gimcrack ring from a cereal box with a serious air of politeness as they present it for engraving.
The fact that the charming salesperson doesn’t even consider alerting security during the scene supports Holly’s impression of Tiffany’s solid comfort.
A Different World
The issue is that Truman Capote’s book does not contain any of the movie scenes mentioned above.
The original content and dialogue that are included paint a very different picture than Mr. Capote’s grim, multi-layered portrayal of the relationship between a complex, troubled, and fascinating call girl.
The novella explores the many facets of love and the nature of identity. It raises concerns about the desire for stability and the urge for freedom.
It offers concepts related to inclusion and exclusion. As we hear Holly’s story through a variety of narrative voices and filters, it helps us understand the mutable nature of truth.
Cleaned up
The complicated novel by Truman Capote has been simplified and made into a conventional, widely liked love story for the screen.
The narrator’s neighbor gives him an elderly sugar mommy to dump for Holly, who gets her income from men giving her money for the powder room and from Holly bringing weather reports to SingSing.
As far as we can tell, Holly ends up in Africa at the end of the book; she is last seen galloping through the undergrowth with two men.
While the men recuperated from fever, they resided in a secluded cabin inhabited by a woodcarver. Holly spends her nights with the carpenter, who carves a wooden representation of her head. Icons can take on various shapes.
Moon River
A few of the movie’s adaptations are effective. The classic song Moon River by Johnny Mercer and Henry Mancini was composed especially for the film.
Holly plays her guitar and sits on a windowsill to sing it. Her hair is styled in a turban, and she is dressed in blue jeans.
The novel describes her as playing melancholic melodies and “harsh-tender wandering tunes with words that smacked of piney woods or prairie.” This depressing, almost private moment is reflected in the novel.
Cat
Both the book and the movie have a happy ending for Holly’s cat, who is a loner like her and whom she refers to as “a poor slob without a name.” Holly lets him go in both, then later regrets it. In the film, Holly rescues Cat from the street and brings him to his house.
In the book, she is unable to locate him and is forced to give up and travel to Brazil. After searching Spanish Harlem’s streets for weeks, the narrator finds Cat, as he had promised.
Seated in the window of a cozy-looking room with spotless lace curtains and potted plants on either side, he appears to be at ease in his new residence.
Finally, in this Breakfast at Tiffany’s book vs movie review, you will agree that the movie version of the story paints a more interesting picture while ending the same as the book version.